编辑推荐
Huang Gesheng's Road to Art:A Case Study of Lijiang Painting School是一本研究漓江画派画家个案——黄格胜的著作，也是《黄格胜的艺术之路：漓江画派画家个案》一书的英译版，再现了一个铭刻着时代烙印的壮族艺术家的成长之路。该版忠实于原著，分为四个部分进行铺陈和归纳。这本译著不仅是漓江画派文献的重要补充，也是国外读者了解广西，了解国画艺术，了解当代中国艺术家的重要书籍和文献，填补了中外文化交流的相关空白。
作者简介
作者：左剑虹，中国美术家协会会员。现为广西艺术学院漓江画派学院院长、教授、硕士生导师，漓江画派促进会常务理事、副秘书长，《漓江画派》丛刊副主编，桂林致公画院院长。长期致力于中国画创作理论研究与实践。著有《创意图形》（与罗鸿合著）、《中国当代美术家画库——左剑虹作品集》。
译者：甄玉，英国桑德兰大学毕业并获得文学硕士学位，广西艺术学院副教授，研究方向包括汉英翻译、艺术理论与批评及中西美学研究。编写并出版教材《艺术专业英语》，出版译著《现代设计图史》。
目录
Introduction／1
Chapter One Huang Gesheng's Background ／1
Ⅰ.Struggling Through Early Life／2
1.His Formative Years／2
Childhood memories／2
Life in junior middle school／7
Experiencing the Cultural Revolution／8
Struggling to survive／11
Rising up／16
2.Interests， Character and Family Influence／21
Instinctive interests／21
Perseverant character／24
His father's influence／26
3.The Moment that Changed His Fate／30
Preparing for the entrance examination／30
A model student／34
A talent from Guangxi／35
Artistic passion／37
4.A Visit to the United States／39
Setting out for the new world／39
Cultural differences／40
Beginning to display his talents／42
"A sensitive and emotional person"／43
Motherland lies at the bottom of my heart／46
Broadening his mind and vision／48
Ⅱ .Academic Inheritance／52
1.Learning from a Master／52
Mr.Huang Dufeng／52
Learning good manners before painting／55
Inheritance／58
Essay：An Enthusiastic Painter， a Phoenix Born from the Flames： On Huang Dufeng's Art／62
2.A Student from the South Helped by One from the North／75
3.God Helps Those Who Help Themselves／78
Ⅲ.Character， Language and Environment ／83
1.Tenacity and Diligence／86
2.Language of Art／88
3.Environment／94
Ⅳ.A Brief Look into Huang Gesheng's Chronology Compared to Contemporary Artistic Events ／100
Ⅴ.Contemporary Chinese Cultural Context and Huang Gesheng's Artistic Position／128
1.Seventeen—Year Period and Cultural Revolution Artistic Contexts／131
2.The Cultural Context of Fine Arts in the Early Period of the "Open and Reform" Policy ／139
3.The Context of Fine Arts Within the '85 Thoughts Movement／142
4.Cultural and Artistic Context of the 1990s／144
5.Present Artistic Context and Huang Gesheng's Contributions／147
Chapter Two Huang Gesheng's Works at Different Periods／153
1.The Cultural Revolution Period （1973—1979） ／156
2.Romantic and Magnificent Hundred Mi／es of the Li River and Others （1980—1987）／169
Affection for hometown／175
Searching for unique hills， collecting materials in a wide range／177
A skillful master／178
Taste／186
A challenging long scroll／188
Comparison／191
Achievements and influence／193
Exhibitions in the USA—painting American landscapes with a Chinese brush ／194
3.Maturation of His Style During the 1990s （1987—1997）／201
4.Hundred Scenes of the L／ River and Huang Gesheng's Art Experience in the 21st Century （1997—2009）／212
Chapter Three Definition and Characteristics of Huang Gesheng's Artistic Style／229
Ⅰ .Creating Artworks While Painting from Nature／233
Ⅱ .Elements of Huang Gesheng's Style／243
1.Foundation and Innovation／243
Inheriting tradition／243
"Yi"—element of the painting／244
Use of calligraphic techniques／245
Innovation and development／246
2.Philosophy and Sensibility／248
Forms admired by both the more and less cultivated／248
The abstract and the concrete／248
The charm of the humble and vulgar／249
Painting from nature／251
Master of emotions／254
Taboos and violating taboos／254
3.Methods／256
Creating artworks based on painting from nature／256
Changing from bird—and—flower to landscape painting／256
Style／257
Creating images／257
Linear sketches and landscapes／258
A collection of marvelous scenes／259
The artistic base／260
Acceptance and creation／260
4.Forms／262
Space／262
Brush and ink work／263
Colour／264
The inscription／266
5.The Method of Creation／267
Symbols／267
Images／267
Rhythm／268
Energy， atmosphere and personality／268
Composition／269
Perspective／270
Ⅲ.Painting Mode／272
1.On Stylized Shapes／277
2.The Features of Brush and Ink Work／288
3.The Features of Composition／291
Essay：The Style of the Lijiang Painting School：A Case Study of Huang Gesheng's Art／295
……
Chapter Four Huang Gesheng's Aesthetic Value and Cultural Orientation／303
Epilogue／382
Translator's Words／384
文摘
版权页：
Motherland lies at the bottom of my heart
Although it treated him very brutally in the past， Huang Gesheng has always remained a patrioL who truly loves his country.While visiting a friend， they happenecl to see a telpvised reportage broadcasting the Blue Sky and White Sun flag of the Kuomintang.Upon seeing the flag， all the Taiwanese guests who were seated in the room stood up， but Huang Gesheng remained seated.Later questioned about his mot.ives， he answered that the Five—star Red Flag was China's national flag.Invited by Mr.and Mrs.Chen， Huang Gesheng visited the United States a second time in July 1989 to hold a new exposition there.Mr.and Mrs.Chen were both members of the committee for the "200th Anniversary of Chinese Amving in Hawaii" and it was their intention to include a painting exhibition by Huang Gesheng iri the celebrations.His exhibition was therefore unveiled on October 1， the National day of the People's Republic of China.He was the first painter to hold an exhibition in the United States after the political unrest that happenecl in China in 1989.He was told that "the Tiananmen Square Incident" was reported 24 hours a day on American TV stations and that the government exaggeratecl it until it took monstrous proportions.Consequently， most Chinese living overseas didn't know the truth.
Huang Gesheng's Road to Art:A Case Study of Lijiang Painting School是一本研究漓江画派画家个案——黄格胜的著作，也是《黄格胜的艺术之路：漓江画派画家个案》一书的英译版，再现了一个铭刻着时代烙印的壮族艺术家的成长之路。该版忠实于原著，分为四个部分进行铺陈和归纳。这本译著不仅是漓江画派文献的重要补充，也是国外读者了解广西，了解国画艺术，了解当代中国艺术家的重要书籍和文献，填补了中外文化交流的相关空白。
作者简介
作者：左剑虹，中国美术家协会会员。现为广西艺术学院漓江画派学院院长、教授、硕士生导师，漓江画派促进会常务理事、副秘书长，《漓江画派》丛刊副主编，桂林致公画院院长。长期致力于中国画创作理论研究与实践。著有《创意图形》（与罗鸿合著）、《中国当代美术家画库——左剑虹作品集》。
译者：甄玉，英国桑德兰大学毕业并获得文学硕士学位，广西艺术学院副教授，研究方向包括汉英翻译、艺术理论与批评及中西美学研究。编写并出版教材《艺术专业英语》，出版译著《现代设计图史》。
目录
Introduction／1
Chapter One Huang Gesheng's Background ／1
Ⅰ.Struggling Through Early Life／2
1.His Formative Years／2
Childhood memories／2
Life in junior middle school／7
Experiencing the Cultural Revolution／8
Struggling to survive／11
Rising up／16
2.Interests， Character and Family Influence／21
Instinctive interests／21
Perseverant character／24
His father's influence／26
3.The Moment that Changed His Fate／30
Preparing for the entrance examination／30
A model student／34
A talent from Guangxi／35
Artistic passion／37
4.A Visit to the United States／39
Setting out for the new world／39
Cultural differences／40
Beginning to display his talents／42
"A sensitive and emotional person"／43
Motherland lies at the bottom of my heart／46
Broadening his mind and vision／48
Ⅱ .Academic Inheritance／52
1.Learning from a Master／52
Mr.Huang Dufeng／52
Learning good manners before painting／55
Inheritance／58
Essay：An Enthusiastic Painter， a Phoenix Born from the Flames： On Huang Dufeng's Art／62
2.A Student from the South Helped by One from the North／75
3.God Helps Those Who Help Themselves／78
Ⅲ.Character， Language and Environment ／83
1.Tenacity and Diligence／86
2.Language of Art／88
3.Environment／94
Ⅳ.A Brief Look into Huang Gesheng's Chronology Compared to Contemporary Artistic Events ／100
Ⅴ.Contemporary Chinese Cultural Context and Huang Gesheng's Artistic Position／128
1.Seventeen—Year Period and Cultural Revolution Artistic Contexts／131
2.The Cultural Context of Fine Arts in the Early Period of the "Open and Reform" Policy ／139
3.The Context of Fine Arts Within the '85 Thoughts Movement／142
4.Cultural and Artistic Context of the 1990s／144
5.Present Artistic Context and Huang Gesheng's Contributions／147
Chapter Two Huang Gesheng's Works at Different Periods／153
1.The Cultural Revolution Period （1973—1979） ／156
2.Romantic and Magnificent Hundred Mi／es of the Li River and Others （1980—1987）／169
Affection for hometown／175
Searching for unique hills， collecting materials in a wide range／177
A skillful master／178
Taste／186
A challenging long scroll／188
Comparison／191
Achievements and influence／193
Exhibitions in the USA—painting American landscapes with a Chinese brush ／194
3.Maturation of His Style During the 1990s （1987—1997）／201
4.Hundred Scenes of the L／ River and Huang Gesheng's Art Experience in the 21st Century （1997—2009）／212
Chapter Three Definition and Characteristics of Huang Gesheng's Artistic Style／229
Ⅰ .Creating Artworks While Painting from Nature／233
Ⅱ .Elements of Huang Gesheng's Style／243
1.Foundation and Innovation／243
Inheriting tradition／243
"Yi"—element of the painting／244
Use of calligraphic techniques／245
Innovation and development／246
2.Philosophy and Sensibility／248
Forms admired by both the more and less cultivated／248
The abstract and the concrete／248
The charm of the humble and vulgar／249
Painting from nature／251
Master of emotions／254
Taboos and violating taboos／254
3.Methods／256
Creating artworks based on painting from nature／256
Changing from bird—and—flower to landscape painting／256
Style／257
Creating images／257
Linear sketches and landscapes／258
A collection of marvelous scenes／259
The artistic base／260
Acceptance and creation／260
4.Forms／262
Space／262
Brush and ink work／263
Colour／264
The inscription／266
5.The Method of Creation／267
Symbols／267
Images／267
Rhythm／268
Energy， atmosphere and personality／268
Composition／269
Perspective／270
Ⅲ.Painting Mode／272
1.On Stylized Shapes／277
2.The Features of Brush and Ink Work／288
3.The Features of Composition／291
Essay：The Style of the Lijiang Painting School：A Case Study of Huang Gesheng's Art／295
……
Chapter Four Huang Gesheng's Aesthetic Value and Cultural Orientation／303
Epilogue／382
Translator's Words／384
文摘
版权页：
Motherland lies at the bottom of my heart
Although it treated him very brutally in the past， Huang Gesheng has always remained a patrioL who truly loves his country.While visiting a friend， they happenecl to see a telpvised reportage broadcasting the Blue Sky and White Sun flag of the Kuomintang.Upon seeing the flag， all the Taiwanese guests who were seated in the room stood up， but Huang Gesheng remained seated.Later questioned about his mot.ives， he answered that the Five—star Red Flag was China's national flag.Invited by Mr.and Mrs.Chen， Huang Gesheng visited the United States a second time in July 1989 to hold a new exposition there.Mr.and Mrs.Chen were both members of the committee for the "200th Anniversary of Chinese Amving in Hawaii" and it was their intention to include a painting exhibition by Huang Gesheng iri the celebrations.His exhibition was therefore unveiled on October 1， the National day of the People's Republic of China.He was the first painter to hold an exhibition in the United States after the political unrest that happenecl in China in 1989.He was told that "the Tiananmen Square Incident" was reported 24 hours a day on American TV stations and that the government exaggeratecl it until it took monstrous proportions.Consequently， most Chinese living overseas didn't know the truth.
| ISBN | 9787549560 |
|---|---|
| 出版社 | 广西师范大学出版社集团有限公司 |
| 作者 | 左剑虹 |
| 尺寸 | 16 |