| 开本：大16开 |
| 纸张：胶版纸 |
| 包装：平装 |
| 是否套装：否 |
| 国际标准书号ISBN：9787564075644 |
| 丛书名：新维度外语系列教程 |
| 所属分类：图书>外语>大学英语>其它教材图书>艺术>影视/媒体艺术>影视理论 |
编辑推荐
蔡圣勤主编的《英语电影文学与批评理论》内容简介：The research shows that young adults spend nearly 50% of their leisure timewatching films and videos. In the past one hundred years the film has become avitally important part of contemporary culture, which is becoming increasinglysaturated by visual media today. We are called to acknowledge and analyze ourgreatest sources of entertainment and information as they influence the warp and woofof our lives. The analysis of media arts is essential to the health of democratic society. Ourculture depends on literacy of the electorate, which gleans its information largelyfrom visual media. We must hone our skills as critical viewers by beingknowledgeable in the most popular art form of our time and possessing the analyticalskills to understand and interpret films.
蔡圣勤主编的《英语电影文学与批评理论》内容简介：The research shows that young adults spend nearly 50% of their leisure timewatching films and videos. In the past one hundred years the film has become avitally important part of contemporary culture, which is becoming increasinglysaturated by visual media today. We are called to acknowledge and analyze ourgreatest sources of entertainment and information as they influence the warp and woofof our lives. The analysis of media arts is essential to the health of democratic society. Ourculture depends on literacy of the electorate, which gleans its information largelyfrom visual media. We must hone our skills as critical viewers by beingknowledgeable in the most popular art form of our time and possessing the analyticalskills to understand and interpret films.
编辑推荐
蔡圣勤主编的《英语电影文学与批评理论》内容简介：The research shows that young adults spend nearly 50% of their leisure timewatching films and videos. In the past one hundred years the film has become avitally important part of contemporary culture, which is becoming increasinglysaturated by visual media today. We are called to acknowledge and analyze ourgreatest sources of entertainment and information as they influence the warp and woofof our lives. The analysis of media arts is essential to the health of democratic society. Ourculture depends on literacy of the electorate, which gleans its information largelyfrom visual media. We must hone our skills as critical viewers by beingknowledgeable in the most popular art form of our time and possessing the analyticalskills to understand and interpret films.
目 录
pre Words for Instructors 1. What Do Our Students Need to Know? 2. How Should the Film Be Viewed? 3. How to Break up a Film? 4. Teaching Films Pre-Screening 5. The Best Way to Screen a Film 6. Technical Aspects of Film Study 7. Film and Literary Criticism Chapter One AvatarGender Studies (Feminist Criticism) 1. AvatarThe Modern Criticism Reflected from the Film 2. She/heSexual Identity 3. Common Space in Feminist Theories 4. The Three Waves of Feminist Criticism 5. Other Branches of Gender Studies 6. The PianoFeminism in Motion Pictures 7. Resources of This Theory 8. Selected Essay and QuotationsToward a Feminist Criticism 9. Typical Questions Chapter Two Sleepless in SeattleFormalism Criticism and New Criticism 1. A Close Analysis on Sleepless in Seattle 2. Formalist Criticism 3. Russian Formalism. Neo-Aristotelianism 4. New Criticism 5. Resources of the Theory 6. Selected Essay and QuotationsThe Formalist Critic 7. Typical Questions Chapter Three Dances with WolvesCultural Criticism ( or Cultural Studies) 1. Western FilmDances with Wolves 2. What Is Cultural Study? 3. The Chief Goal of Cultural Studies 4. Interdisciplinary Approaches 5. Selected Essay and QuotationsWhat Are Cultural Studies? 6. Typical Questions Chapter Four A Little PrincessPost-colonial Criticism 1. Successful Adaption and Discomfiting Trace 2. History Is Written by the Victors 3. A Unique Pempective on Empire 4. Power. Hegemony. and Literature 5. Resources of This Theory 6. Selected Essay and Quotations"Everyday Use" and the Black Power Movement 7. Typical Questions Chapter Five The ArtistStructuralism and Semiotics Criticism 1. The Artist (2011) lntertextual Relation to the Classics 2. Linguistic Roots 3. Patterns and Experiences 4. Structuralism in Literary Theory 5. Peirce and Saussure 6. Sign Systems 7. Resources of This Theory 8. Selected Essay and QuotationsPoststructuralist Cultural Critique 9. Typical Questions Chapter Six American Outlaws Historical and New-historicism Criticism 1. American OutlawsA Eulogy to the History 2. Historical Criticism 3. Higher Criticism and Goal 4. New Historicism 5. Resources of New-historicism Theory 6. Selected Essay and Quotationsthe Argentine Context of Borges' Fantastic Fiction ( Historical Criticism) 7. Typical Questions Chapter Seven BraveheartSociological Criticism and Marxist Criticism 1. BraveheartContradictions and Absences 2. Sociological Criticism 3. Whom Does It Benefit? 4. The Material Dialectic 5. The Revolution 6. Resources of This Theory 7. Selected Essays and Quotations 8. Typical Questions Chapter Eight The MaskPsychological Criticism 1. The Maska Motive Analysis on Stanley Ipkiss 2. Freudthe Unconscious. the Desires. and the Defenses 3. ld. Ego and Superego 4. Oedipus Complex 5. Psychoanalytic Interpretation on Film A Little Princess 6. Resources of This Theory 7. Selected Essay and QuotationsThe Destiny of Oedipus 8. Typical Questions Chapter Nine Sabr/naMythological Criticism ( Archetypal Criticism) 1. Sabrinaa Cinderella Story 2. Applications of Archetype 3. Carl JungCollective Unconscious 4. Resources of This Theory 5. Selected Essay and Quotationsthe Collective Unconscious and Archetype 6. Typical Questions Chapter Ten The Bond Films Reader-response Criticism l. 007 Series and Action Films Sequels 2. Schwarzenegger's Changes in The Terminators 3. What Is Reader-response Criticism? 4. What Do You Think? 5. Resources of This Theory 6. Selected Essay and QuotationsAn Eskimo "A Rose for Emily" 7. Typical Questions Chapter Eleven BabelDeeonstructionist Criticism( Poststructuralist. Post-modernism) 1. Babel Four Parallel Narratives of the Structure 2. Modern Narrative Patterns 3. The Center Cannot Hold " 4. What Does Your Meaning Mean? 5. Can Language Do That? 6. What's Left? 7. Modernism vs. Postmodernism 8. Post-Structuralism and Literature 9. Resources of This Theory 10. Selected Essay and QuotationsThe Death of the Author 11. Typical Questions Chapter Twelve The Color Purple Biographical Criticism 1. The Color PurpleAuthor and Director 2. Application of This Approach 3. Peripatetic Biographical Criticism 4. Recognition of Otherness 5. Connections to Other Modes of Criticism 6. Selected Essay and QuotationsChekhov's Attitude to Romantic Love 7. Typical Questions Chapter Thirteen The Gods Must Be CrazyEco-criticism 1. The Gods Must Be Crazy and Environment 2. Evolution of Eeo-criticism in Literary Studies 3. Ecological Thoughts in Films 4. Further Source of Ecological Criticism Aesthetics 5. Selected Essay and QuotationsCritiquing the Canon 6. Typical Questions Reference
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蔡圣勤主编的《英语电影文学与批评理论》内容简介：The research shows that young adults spend nearly 50% of their leisure timewatching films and videos. In the past one hundred years the film has become avitally important part of contemporary culture, which is becoming increasinglysaturated by visual media today. We are called to acknowledge and analyze ourgreatest sources of entertainment and information as they influence the warp and woofof our lives. The analysis of media arts is essential to the health of democratic society. Ourculture depends on literacy of the electorate, which gleans its information largelyfrom visual media. We must hone our skills as critical viewers by beingknowledgeable in the most popular art form of our time and possessing the analyticalskills to understand and interpret films.
目 录
pre Words for Instructors 1. What Do Our Students Need to Know? 2. How Should the Film Be Viewed? 3. How to Break up a Film? 4. Teaching Films Pre-Screening 5. The Best Way to Screen a Film 6. Technical Aspects of Film Study 7. Film and Literary Criticism Chapter One AvatarGender Studies (Feminist Criticism) 1. AvatarThe Modern Criticism Reflected from the Film 2. She/heSexual Identity 3. Common Space in Feminist Theories 4. The Three Waves of Feminist Criticism 5. Other Branches of Gender Studies 6. The PianoFeminism in Motion Pictures 7. Resources of This Theory 8. Selected Essay and QuotationsToward a Feminist Criticism 9. Typical Questions Chapter Two Sleepless in SeattleFormalism Criticism and New Criticism 1. A Close Analysis on Sleepless in Seattle 2. Formalist Criticism 3. Russian Formalism. Neo-Aristotelianism 4. New Criticism 5. Resources of the Theory 6. Selected Essay and QuotationsThe Formalist Critic 7. Typical Questions Chapter Three Dances with WolvesCultural Criticism ( or Cultural Studies) 1. Western FilmDances with Wolves 2. What Is Cultural Study? 3. The Chief Goal of Cultural Studies 4. Interdisciplinary Approaches 5. Selected Essay and QuotationsWhat Are Cultural Studies? 6. Typical Questions Chapter Four A Little PrincessPost-colonial Criticism 1. Successful Adaption and Discomfiting Trace 2. History Is Written by the Victors 3. A Unique Pempective on Empire 4. Power. Hegemony. and Literature 5. Resources of This Theory 6. Selected Essay and Quotations"Everyday Use" and the Black Power Movement 7. Typical Questions Chapter Five The ArtistStructuralism and Semiotics Criticism 1. The Artist (2011) lntertextual Relation to the Classics 2. Linguistic Roots 3. Patterns and Experiences 4. Structuralism in Literary Theory 5. Peirce and Saussure 6. Sign Systems 7. Resources of This Theory 8. Selected Essay and QuotationsPoststructuralist Cultural Critique 9. Typical Questions Chapter Six American Outlaws Historical and New-historicism Criticism 1. American OutlawsA Eulogy to the History 2. Historical Criticism 3. Higher Criticism and Goal 4. New Historicism 5. Resources of New-historicism Theory 6. Selected Essay and Quotationsthe Argentine Context of Borges' Fantastic Fiction ( Historical Criticism) 7. Typical Questions Chapter Seven BraveheartSociological Criticism and Marxist Criticism 1. BraveheartContradictions and Absences 2. Sociological Criticism 3. Whom Does It Benefit? 4. The Material Dialectic 5. The Revolution 6. Resources of This Theory 7. Selected Essays and Quotations 8. Typical Questions Chapter Eight The MaskPsychological Criticism 1. The Maska Motive Analysis on Stanley Ipkiss 2. Freudthe Unconscious. the Desires. and the Defenses 3. ld. Ego and Superego 4. Oedipus Complex 5. Psychoanalytic Interpretation on Film A Little Princess 6. Resources of This Theory 7. Selected Essay and QuotationsThe Destiny of Oedipus 8. Typical Questions Chapter Nine Sabr/naMythological Criticism ( Archetypal Criticism) 1. Sabrinaa Cinderella Story 2. Applications of Archetype 3. Carl JungCollective Unconscious 4. Resources of This Theory 5. Selected Essay and Quotationsthe Collective Unconscious and Archetype 6. Typical Questions Chapter Ten The Bond Films Reader-response Criticism l. 007 Series and Action Films Sequels 2. Schwarzenegger's Changes in The Terminators 3. What Is Reader-response Criticism? 4. What Do You Think? 5. Resources of This Theory 6. Selected Essay and QuotationsAn Eskimo "A Rose for Emily" 7. Typical Questions Chapter Eleven BabelDeeonstructionist Criticism( Poststructuralist. Post-modernism) 1. Babel Four Parallel Narratives of the Structure 2. Modern Narrative Patterns 3. The Center Cannot Hold " 4. What Does Your Meaning Mean? 5. Can Language Do That? 6. What's Left? 7. Modernism vs. Postmodernism 8. Post-Structuralism and Literature 9. Resources of This Theory 10. Selected Essay and QuotationsThe Death of the Author 11. Typical Questions Chapter Twelve The Color Purple Biographical Criticism 1. The Color PurpleAuthor and Director 2. Application of This Approach 3. Peripatetic Biographical Criticism 4. Recognition of Otherness 5. Connections to Other Modes of Criticism 6. Selected Essay and QuotationsChekhov's Attitude to Romantic Love 7. Typical Questions Chapter Thirteen The Gods Must Be CrazyEco-criticism 1. The Gods Must Be Crazy and Environment 2. Evolution of Eeo-criticism in Literary Studies 3. Ecological Thoughts in Films 4. Further Source of Ecological Criticism Aesthetics 5. Selected Essay and QuotationsCritiquing the Canon 6. Typical Questions Reference
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