| 开本：3开 |
| 纸张：胶版纸 |
| 包装：平装 |
| 是否套装：否 |
| 国际标准书号ISBN：9787503276576 |
| 所属分类：图书>艺术>艺术舞蹈>舞蹈学习>其他舞蹈 |
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迤逦声中的江南非遗旅游活化的昆曲探寻
作者吴巧凌 着 着
出 版 社中国旅游出版社
出版日期年月日
页数
装帧平装
●章 概 述··············································································
第二章 概念梳理：非遗概述 ···························································
非遗的概念以及联合国教科文组织对非遗的保护 ························
主要的非遗保护体系及分类 ·············································
中国非遗的现状与保护 ·························································
表演艺术类非遗 ··································································
相关学术研究 ·····································································
第三章 作为非物质文化遗产的中国传统戏曲概况 ·······························
中国传统戏曲的申遗过程 ················································
申遗前后的命运转变 ····························································
中国戏曲生存环境与文旅融合 ················································
第四章 苏州传统戏曲与旅游融合的实践 ···········································
苏州昆曲的起源、兴盛与式微 ················································
昆曲复兴之路：青春版《牡丹亭》与虎丘曲会 ···························
园林与昆曲：文旅融合新尝试 ················································
苏州专业昆曲院团及昆曲博物馆 ·············································
苏州民营昆曲演出与旅游 ····················································
昆曲与苏州昆山及小镇 ························································
其他 ···············································································
第五章 南京传统戏曲与旅游融合的实践 ·········································
南京：院团即景点，吸引“昆虫”旅游者的朝圣 ······················
《桃花扇》与南京旅游的结合宣传 ·········································
京剧旅游对南京戏曲旅游的启示 ···········································
南京博物院里的昆曲艺术 ····················································
南京：民国沉浸式旅游 ·······················································
红楼梦的昆曲缘 ································································
第六章 上海：都市的昆曲旅游 ···············································
梅兰芳访美对文化和旅游交流的启示 ·····································
上海的昆曲旅游资源 ··························································
上海昆曲艺术与新媒体 ·······················································
剧团体制的思考 ································································
“文化名片”助力城市旅游 ··················································
上海昆曲的旅游尝试 ··························································
艺术类演出与旅游融合的设想 ··············································
京港戏曲旅游产品的启示 ····················································
演艺场地与会奖资源 ··························································
奢华酒店的合作机会 ························································
第七章 表演类非遗旅游活化路径 ··················································
戏曲保护活化中发挥行政管理职能，打破文化和旅游壁垒 ··········
促进旅游产业融合，进戏曲旅游配套设施的改进 ···················
唤醒市场机制的驱动力 ·······················································
探索并运用文旅融合的市场销策略 ·····································
旅游机构进行戏曲非遗的产品开发与动活化的渠道 ················
参考文献····················································································
后 记·······················································································
内容简介
全书以“以小见大”的研究视角与“知行合一”的实践底色。作者选择以昆曲这一“百戏之祖”为样本，聚焦苏州、南京、上海、香港四地的鲜活案例，让抽象的“活化”概念变得可感、可触，为非遗与旅游的深度融合提供了兼具学术厚度与实践价值的 “破局方案”。
吴巧凌 着 着
吴巧凌 香港理工大学酒店及旅游管理博士文化遗产旅游活化研究者中组部、团中央第届博士服务团成员年挂职湖南湘西苗族土家族自治州凤凰县副县长荣立二等功香港考古学会较为会员全国特级导游全国导游大赛专家评委定制旅游行业导师
迤逦声中的江南非遗旅游活化的昆曲探寻
作者吴巧凌 着 着
出 版 社中国旅游出版社
出版日期年月日
页数
装帧平装
●章 概 述··············································································
第二章 概念梳理：非遗概述 ···························································
非遗的概念以及联合国教科文组织对非遗的保护 ························
主要的非遗保护体系及分类 ·············································
中国非遗的现状与保护 ·························································
表演艺术类非遗 ··································································
相关学术研究 ·····································································
第三章 作为非物质文化遗产的中国传统戏曲概况 ·······························
中国传统戏曲的申遗过程 ················································
申遗前后的命运转变 ····························································
中国戏曲生存环境与文旅融合 ················································
第四章 苏州传统戏曲与旅游融合的实践 ···········································
苏州昆曲的起源、兴盛与式微 ················································
昆曲复兴之路：青春版《牡丹亭》与虎丘曲会 ···························
园林与昆曲：文旅融合新尝试 ················································
苏州专业昆曲院团及昆曲博物馆 ·············································
苏州民营昆曲演出与旅游 ····················································
昆曲与苏州昆山及小镇 ························································
其他 ···············································································
第五章 南京传统戏曲与旅游融合的实践 ·········································
南京：院团即景点，吸引“昆虫”旅游者的朝圣 ······················
《桃花扇》与南京旅游的结合宣传 ·········································
京剧旅游对南京戏曲旅游的启示 ···········································
南京博物院里的昆曲艺术 ····················································
南京：民国沉浸式旅游 ·······················································
红楼梦的昆曲缘 ································································
第六章 上海：都市的昆曲旅游 ···············································
梅兰芳访美对文化和旅游交流的启示 ·····································
上海的昆曲旅游资源 ··························································
上海昆曲艺术与新媒体 ·······················································
剧团体制的思考 ································································
“文化名片”助力城市旅游 ··················································
上海昆曲的旅游尝试 ··························································
艺术类演出与旅游融合的设想 ··············································
京港戏曲旅游产品的启示 ····················································
演艺场地与会奖资源 ··························································
奢华酒店的合作机会 ························································
第七章 表演类非遗旅游活化路径 ··················································
戏曲保护活化中发挥行政管理职能，打破文化和旅游壁垒 ··········
促进旅游产业融合，进戏曲旅游配套设施的改进 ···················
唤醒市场机制的驱动力 ·······················································
探索并运用文旅融合的市场销策略 ·····································
旅游机构进行戏曲非遗的产品开发与动活化的渠道 ················
参考文献····················································································
后 记·······················································································
内容简介
全书以“以小见大”的研究视角与“知行合一”的实践底色。作者选择以昆曲这一“百戏之祖”为样本，聚焦苏州、南京、上海、香港四地的鲜活案例，让抽象的“活化”概念变得可感、可触，为非遗与旅游的深度融合提供了兼具学术厚度与实践价值的 “破局方案”。
吴巧凌 着 着
吴巧凌 香港理工大学酒店及旅游管理博士文化遗产旅游活化研究者中组部、团中央第届博士服务团成员年挂职湖南湘西苗族土家族自治州凤凰县副县长荣立二等功香港考古学会较为会员全国特级导游全国导游大赛专家评委定制旅游行业导师